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Friday, October 02, 2009

Nigerian Marketplace

I seem to be posting alot about piano instruction videos but here is a good one of Oscar Petersons great piece Nigerian Marketplace. I have to play this in a gig this month so have found this very useful particularly regarding voiceings.

http://www.youtube.com/watch?v=p4IPA3a8iDw

Friday, September 04, 2009

Indian music and Jazz

Here is an interesting article on Indian music in jazz I found on the Congo square website - home of the Kolkata Jazz Festival.

http://www.congosquarejazz.com/Indian_Music___Jazz.pdf

Giant Steps Rhythmic Flexibility

As soon as I saw this link on David Valdez's Blog I knew this was something I wanted to practice. Here are a set of rhythmic exercises using different groupings of 8th notes (3's, 5's,6's and 7's) on the chords of giant steps.


http://casavaldez.posterous.com/giant-steps-rhythmic-flexibility-exercises

Wednesday, July 15, 2009

Professional Saxophone Musician / Player Set-Ups

On his excellent site on just about everything to do with mouthpieces Theo Wanne has published a list of professional sax players setups. Ive seen some others on the web in the last few years but this seems to be the most extensive and up to date list:

http://www.theowanne.com/mouthpieces101/playerSetUps.php?pid=5

www.jazz.com

It's great when you find something new to read on the net and www.jazz.com really has plenty to offer. With hundreds of articles, interviews, reviews, blogs posts and a forum this really is a great resource for jazz lovers.

Wednesday, July 01, 2009

Stevie Wonder Tribute

A small clip I found from the tribute show we did in chennai from Rediff.com

http://ishare.rediff.com/video/entertainment/a-tribute-to-stevie-wonder/640242


Actually there are lots more on the same site... just seen that!

http://ishare.rediff.com/video/entertainment/a-tribute-to-stevie-wonder/640245

Wednesday, May 27, 2009

More Doug McKenzie

In case it is easier, or you prefer to watch some of the vidoes from Doug's site online there are many posted on you tube, and they have been listed at http://www.pianologist.com/.

http://pianologist.com/piano-videos/learn-jazz-piano-playing-from-doug-mckenzie-at-youtube/

Pianologist looks a very nice site too. Lessons, transcriptions and videos.... Just watching a clip from one of my favourite pianists Dave Newton.

Addition to previous post

A further rhythmical idea that i found useful when practicing the idea shown in the previous post is to vary the tapping of the foot. The metronome is only on the fourth beat so start by tapping on every beat, then as you feel comfortable 1, and 3, only on the 1, and then finally without tapping at all. I found it gives a good sense for the feeling of the placement of each beat especially with the accents.

Tuesday, May 26, 2009

Chromatic warmup


Here is a little warmup I have been working on recently. I have found it useful for both the fingers, as well as warming up the feeling and sense of rhythm before tackling other things. I usually start quite slow, maybe 100bpm and gradually increase. As the metronome is kept on the 4th beat only I had to download a program that could play slow enough as my normal one only goes as low as 40. I use weird metronome as you can program it to play anything you like. Of course this type of exercise is open ended, and can be applied to scales or other patterns as well as different accent and rhythmic variations.

http://www.pinkandaint.com/weirdmet.shtml

Friday, May 22, 2009

Advanced saxophone lessons

Here is a great blog I just found dedicated to saxophone techniques and improving your playing. The site is written by Andy Hampton author of "Saxophone Basics"

http://advancedsaxophonelessons.blogspot.com/

Choosing a new sax

A student of mine recently sent me a mail about choosing a new saxophone. In my research i found this very useful site on the web.

http://www.shwoodwind.co.uk/Reviews/Pro_saxes.htm

shwoodwind.co.uk is an excellent site with lots of information and reviews as well as sound :-) advice on buying the right sax.

Sunday, May 17, 2009

Finger exercises for sax? The Orosz technique.

Some time ago I was noticing that certain things I was playing on the sax were hampered by my left hand that was not always moving as well as my right. Quite normal I thought as I'm right handed and I did some exercises then to try to help this. At the time I saw nothing on the net about this - not that I looked too hard - but now I just saw this web site. At http://www.theorosztechnique.com/is a technique sold by Jules Orosz. You can sign up and recieve a free lesson. I have no idea if this is any good and what I'm looking for but I'm going to have a look at it and give it a go. I will post my results here a bit later. If anyone has already looked into this please let me know too.

Thursday, May 14, 2009

blanksheetmusic.net

As an addition to the previous post here is the link for another useful site regarding free score making tools. This online tool doesn't actually allow you to input notes but is a program for setting up and printing your own blank score layouts. It's quick and easy to choose any number of staves, clefs, keys and lines by clinking on the relevent icons. It even comes with a flash tutorial to help you out.

www.blanksheetmusic.net

Wednesday, May 13, 2009

Summertime

Ok, so this is it. It's been a while since Ive managed to post because of my hectic schedual the last month or so. Now finally summer is here - at least in India that is - and I'm back to working on my music. First up is composing as I really would like to be playing new material next year. I'm not very good with notating scores on the computer so I also decided to write up all my existing pieces. Less complaints now hopefully about my writing from other musicians!

Anyway, was browsing the web and found this very useful site for free music software. www.making-music.blogspot.com has an extensive list of what is available out there including free notation software. I downloaded Finale notepad 2008 and was quite impressed. It certainly has it's limitations and is a bit fiddly (took me an hour to get 4 bars per line) but otherwise it's a good program available for free.

Tuesday, April 07, 2009

Doug McKenzie Videos

As I said in my Tweet there is even more to the Doug McKenzie jazz piano site than first meets the eye. What I have most liked - (apart from the hundreds of audio and midi files!) are the videos. They come with detailed annotations and explanations of the techniques used, as well as the visual help of being able to see the hands or notes as they play. Really top stuff.

Thursday, April 02, 2009

Doug McKenzie Jazz Piano

Thanks to Harish, sax player from chennai for this link. Wow, I don't think Ive ever seen so much good stuff for jazz piano in one place. Doug McKenzie's site contains literally hundreds of downloadable WMA midi files, videos and audio as well as transciptions and explainations that go along with the audio. It could take years to go through all of this!

http://www.bushgrafts.com/jazz/home.htm

Monday, March 30, 2009

We Follow

A great idea to help find people you would be interested in following on Twitter. www.wefollow.com is a directory of Twitter users categorized under various "tags". Add yourself and choose three tags under which you would like to be found. For example the link below refers to the "sax" tag.

http://wefollow.com/tag/sax

Monday, March 16, 2009

Ear training software

Following an evening in which I really got quite hooked on the various ear training tools in Band in a Box I decided to look on the net for similar software.
Compiled by Jimmy Ruska the link below has many programs, both freeware, online and commercial.

http://www.jimmyr.com/blog/7_Musicians_Free_Ear_Training.php#3

Tuesday, March 03, 2009

www.freejazzinstitute.org

Can't believe Ive never seen this before. Super useful site for jazz musicians to discuss and share all things related to jazz theory and analysis. Try the link below for a more detailed description of the site:

http://www.freejazzinstitute.org/aboutfji.php

Wednesday, February 18, 2009

Cornelius Bumpus

Watching a video of Steely Dan's the other night I was enjoying the solos of tenor sax player Cornelius Bumpus - Chris Potter was playing in the same group but somehow these touched me more. Wanting to find out more about him I googled and found out that sadly he had died in 2004 of a heart attack. Fortunately www.corneliusbumpus.com is still there and has lots of information, links to buy his cd's as well as mp3 preview clips.

Monday, February 16, 2009

More on Twitter



As you can see I have been enjoying Twitter. I like the fact that I can post almost anywhere and anytime. Ive now added my latest tweets to the right hand sidebar.

Wednesday, February 11, 2009

Twitter

Ive been using Twitter for a couple of days now and already found it a useful tool to keep in touch with what is happening in the jazz world. Other than that, Ive decided to expand saxindia by making a kind of "blog within a blog". As much for myself than anything else, I have started posting from my mobile directly to www.twitter.com/mattlittlewood thoughts and ideas that have come up while practising. Not much is there yet, so lets see what happens... this is just something I have wanted try for a while on paper, but since the technology is there why not do something a little different! :-)

Tuesday, February 10, 2009

Indigo Jazz festival Bangalore

We were very happy to be invited to play again this year at the Indigo jazz festival in Bangalore. Here is a review of the two day event by the Hindu's excellent jazz writer JAZZEBEL.

http://www.thehindu.com/mp/2009/02/09/stories/2009020951240300.htm

Monday, February 09, 2009

Mixing up scales

Just a little exercise I found to practise major scales a little differently. Ascend in the normal way but coming down change the 2nd and root, to the corresponding degrees of the scale a semi tone above. ie C B A G F E D# C#. Continue by ascending in the new scale you have now reached and apply the same idea. Once this is completed in all keys on the descent try changing the last 3(4, 5 etc) notes to the scale chromatically above.

This was an idea i wanted to try in order to improve my fluency and flexibility of changing from one scale to another during soloing. Lets see if it works! I see there are many more possibilities to this and will post some more ideas when I find them.

Thursday, February 05, 2009

All about jazz forum



Ive been following several music forums by RSS feed for some time including the excellent saxontheweb. Somehow I had missed the forum at allaboutjazz.com but its another very good resource with alot of reading on just about every area of jazz possible.

http://forum.saxontheweb.net/
http://forums.allaboutjazz.com/

Saturday, January 03, 2009

Famous Jazz Quotes

“A jazz musician is not a jazz musician when he or she is eating dinner or when he or she is with his parents or spouse or neighbors. He’s above all a human being . . . the true artform is being a human being.” - Herbie Hancock

Here's a nice idea by Matthew Mullenweg, a founding developer of WordPress who has added a section to his site dedicated to famous jazz quotations. He has collected quotes from different sources and categorised them by musician. Apart from the more humorous ones, some of them are very beautiful and I think there is plenty to be learnt from these too.

“My music is the spiritual expression of what I am — my faith, my knowledge, my being … When you begin to see the possibilities of music, you desire to do something really good for people, to help humanity free itself from its hangups … I want to speak to their souls.” - John Coltrane

http://ma.tt/jazzquotes/

Thursday, January 01, 2009

Guitar and Drum Trainer

For practising aebersolds and other such play-alongs this is a must have program.Ive been using the freeware v2 for years and now have been trying the latest version. It easily and quickly allows you to slow or speed up recordings as well as change pitch with little noticeable breakup of the audio. On top of that it has a great EQ which can even be used to filter out the drums. Available for download is version 4 which comes as a 15 day trial version.

http://renegademinds.com/Products/GuitarDrumTrainer/tabid/65/Default.aspx

Tuesday, December 30, 2008

Piano Practise

Being a part time pianist but still having gigs to play, I needed to find effective exercises to help me develop my jazz playing - particularly finger exercises to aid my soloing. The two books that I have found most useful are the well known Hanon "Virtuoso Pianist in 60 Exercises" and Alfred Cortot's "Rational Principles of Pianoforte Technique". Both books, particularly the latter, cover well beyond the limited scope of my technique but nonetheless have offered many great exercises. The Cortot book in particular is very thorough and covers an entire range of techniques under the categories listed below. In fact I understand that by practicing these entire areas one should be able to master any technical problems!

1. Equality, independence and mobility of fingers.
2. Passing under of the thumb (scales - arpeggios).
3. Double notes and polyphonic playing.
4. Extensions.
5. Wrist technique, execution of chords.

The Hanon is in comparison a little more down to earth. I started adapting the exercises to a more "jazz" approach by firstly playing them in every key and then adding various rhythmical exercises to them. As they are laid out in endless 16th notes playing them with varying accents and rhythmical patterns made them alot more interesting to play. I took this further by practicing them on the saxophone too. In addition to this, varying the placement of the metronome was also a good exercise.

For more information check out the articles below. The Hanon seems widely available but the Cortot looks like it’s out of print and hard to find.

http://en.wikipedia.org/wiki/Alfred_Cortot

http://en.wikipedia.org/wiki/The_Virtuoso_Pianist_In_60_Exercises

Monday, December 15, 2008

Youtube Ballads

Herbie Hancock has always been one of my favourite players. Here are a couple of truly beautiful ballads, one solo and the other featuring the great Joe Henderson. Someone to watch over me, is in particular quite breathtaking, the musical colours and textures Herbie creates, great examples of the things I like most about his piano playing. Reminds me of his poignant Stella by starlight solo with Ron Carter and Tony Williams on Miles Davis famous 1964 live recording; something else to check out too!

http://in.youtube.com/watch?v=_Qf6tphTKuA&NR=1

http://in.youtube.com/watch?v=aW-wIFZuYgg&feature=related

Thursday, December 04, 2008

New mail

Anyone reading this blog who would like to contact me further can now mail me at saxindia@yahoo.co.in

Any comments and suggestions are much appreciated or if you want to chat about jazz or music in general feel free to drop me a mail.

More mind Scales

Due to a cyclone in our area that put off the power for a week I was forced to find alternate ways of practising in the evening as playing in the dark was getting quiet difficult. Since I couldn't afford time off as some gigs were approaching I decided to spend some time reviewing pieces and applying some of the visualisation techniques I had mentioned before. Although I was not able to do for long periods of time because my concentration wouldn't allow it, I was really very happy with the results. Using a metronome to avoid 'cheating' I went through scale choices in my head in various combinations and speeds. Once I got back to the sax the results were quite noticeable and I already felt more comfortable particularly in tricky spots of certain pieces. Working this way highlights those weaknesses very quickly. Now I just have to apply this more often even when the laptop is available for practise!

Qeep

With cellphones allowing easy use of the internet at fairly low costs I was looking into the possibilities of staying in touch with fellow jazz lovers this way. In my hunt for programs I found Qeep!, basically a chat and blogging program for cellphones. I looked into several others but this seemed the cheapest and most effective as it allows you to send sms, or 'qms' for only the cost of the network gprs cost. Of course with such chat communities there are always some who would rather talk about other things than jazz ;-), but so far I have met some interesting people from around the world... So if you have the program and feel to qms me, look for 'Bluetrane' and we can talk!

Tuesday, September 16, 2008

Jazztrumpetsolos.com

The other night I was transcribing Lee Morgan's solo on Moanin' and wanting to check my work I found jazztrumpetsolos.com. It's a really nice site with 98 transcribed solos which you can download in pdf, as well as listen online to the first 30 seconds of the solo while watching the score scroll down. Thankfully I found this site because the solo was more challenging than I first thought!

Saturday, September 13, 2008

Away from the Sax 2

I often like to work on things away form the sax, i.e. transcribing and rhythm work, but recently in order to make this work more organised and productive I started making a more in depth list of things I can do. This is particularly for situations where I would like to study or practise and I am not able to, or it is not appropriate to start playing my horn.

1. Rhythmic work: This is very important part of my work and I try to do at least 15mins a day. It can be done anywhere. Just need a metronome and something to tap on.
2. Transcriptions: I try to do both writing things down and learning things purely by ear. Of the two I find the latter more difficult yet more satisfying and beneficial for my general work in music. Writing things helps both my ear and as well as my written rhythmic vocabulary.
3. Visualising chords and scales: I still am slower at mentally picturing certain scales and chords so I work on seeing these as quick as the "easier keys". Some times I also write out scales to help this, and also visualise playing them on the sax.
4. Singing or humming melodic and rhythmic ideas over tunes: I use aebersolds to tryout certain rhythmical and melodic ideas. Personally, if I can't sing an idea in my head I can not play it on the sax so this is very beneficial work.
5. Listening: This influences me alot and the more I listen, the better my musical vocabulary. I try sometimes to do a more focused listening where I will only focus on certain ideas in a piece, i.e. bass line or piano comping etc.
6. Composing: I would like to compose more, and do have periods when I do alot, but I see that if I could do a little bit each day I would go alot further. Now I try to keep a book that when an idea comes, even if it's a small phrase I write it down with the hope that I may eventually use it.
7. Memorising tunes: My aim here is to memorise and understand a chord structure of a tune in such a way that I can then also transpose it into other keys.

This list is clearly not exhaustive and all these are very much work in progress, so I would be happy for any comments on further additions and ideas.

Wednesday, September 10, 2008

Bopland.org

I saw this site while browsing the jazz improvisation forum on saxontheweb. Bopland.org is a free database for musicians. It contains hundreds of licks over common jazz progressions. You can browse the licks there by entering the desired progression, as well as entering your own licks that you have transcribed. A great idea for a collective internet resource.

Friday, August 29, 2008

stevekahn.com

I stumbled apon this site completely by accident when looking for the lead sheet of a great tune called Descarga Khanalonious by guitarist Steve Kahn. Firstly I was pleasantly surpirsed to find it on his website, but even better was that the website has a huge section dedicated to both transcriptions and analysys by Steve himself, as well as a section dedicated to Steve's own lead sheets and compositions. Compositions are also presented with a corresponding sound clip, and an analysis. Check out Kahn's Korner 1 and 2 for a veritable goldmine of great stuff to study.

http://www.stevekhan.com/

Thursday, June 05, 2008

Reviews


Here are a couple of nice reviews of gigs our trio has done recenlty.

(Tehelka magazine)


Thanks to Bruce and Thermal and a Quarter for a great gig on Jan First! Thanks also to Patrick Goraguer, fantastic pianist and drummer from France who joined us that night.

Long Tones

If you ever doubted the importance of long tones then check out this lesson by Matt Otto.
http://mattotto0.tripod.com/id32.html
Of particular interest to me was the fact that the practise of long tones are essential for helping to stay relaxed while playing. If you feel like me, that you sometimes find yourself overblowing or tense while playing, following the method outlined in this lesson helps to avoid this by developing better long term habits.
Once again, thanks goes to David Valdez's blog for finding this. This site is really the best jazz site I have seen on the web and essential reading for any serious musician.

Saturday, May 10, 2008

Indian Summer

Its been a long time since Ive managed to update my Blog and I hope to soon. I have been very busy in the last few months, but its summer here in India and things are slowing down. I will be in cooler weather though soon playing some gigs with indo fusion group Emergence. We are playing at Glastonbury and Sunrise Festivals amongst other places. Check out www.myspace.com/emergencemusic for further details.

Monday, November 05, 2007

Jazz-o-matic.com

Many thanks to Tomas Trulsson for e-mailing me the link to this site. Jazz-o-matic is a great site by Richard Thurgood dedicated to studying the saxophone. It provides a place where musicians can share, and hear through recorded audio files, how other saxophonists are playing and practising. It includes a wide selection of lessons and exercises, as well as resources such as books from members, transcription services and links to other useful sites. An excellent internet resource, and a must read (or listen!) for students of the saxophone.


http://www.jazz-o-matic.com/

Sunday, October 28, 2007

Scales vs Rhythm

I hadn't checked the jazz and improvisation section of the Sax on the Web forum for a while and when I did I find quite a number of interesting threads. The one that caught my eye though was the discussion on what people practise most, scales or rhythm. Being a favourite topic of mine, and if you have read previous posts on this blog you will propably guess where I stand on this subject!

http://www.saxontheweb.net/vbulletin/showthread.php?t=69002

Friday, October 12, 2007

Away from the sax - Visualisation

Some time ago I started to notice a discrepancy between my ability to formulate harmonic ideas on the piano and that of the saxophone. I began to realise that one of the difficulties on sax was that unlike the piano or guitar, it is not a very visual instrument. By this a mean that due to the nature of keys or fret board, these instruments are very "colour coded" which aid in visualising harmonies. Discussing this with a friend of mine recently, he suggested trying to get the same principle from the sax by working without the instrument. He suggested working several times a day on visualising with the mind only, the things being worked on in practise. So far I have tried it only with scales and patterns, but already Ive noticed a big difference. If I practise a particular scale or pattern in my head several minutes before practise, I'm clearly able to work on it with a better feel and understanding, and achieve results much faster. Just as the fingers and lungs need warming up as does the brain. My next step will be to work this idea on particular tunes, as I feel my improvising on the sax would benefit from this "visual" aspect as well as the aural and mental side.

Tuesday, September 04, 2007

Joe Allard

Along with my reading of Dave Liebman's book "Developing a Personal Saxophone Sound" I have been studying the work of Joe Allard, influential and highly respected teacher of the sax and clarinet who amongst many others taught Dave Liebman and Micheal Brecker. Focused particularly on sound production that was "free of all unnecessary tension and capable of a great variety of tonal possibilities" Allard focused on the "development of the embouchure, proper use of the air, flexibility of the laryngeal and oral cavities, and one's own tonal imagination".* If like me you are a little late on this vital information, a good start is to check out the official website http://www.joeallard.org/. It has lots of information on his teaching style as well as interviews and comments from many of his former pupils.

*(from the website)

Tuesday, August 07, 2007

Jazz in India - Useful websites.

Here are a few links for web sites of bands and organisations involved in jazz and other music in India.

http://www.jazzwave.org/ - JAZZwave is providing a platform for the research and the development of Jazz and New Indian Fusion. They aim to create concert opportunities and cultural exchanges with the aim to promote improvised music in India.

http://www.myspace.com/emergencemusic - Myspace for Emergence, an acoustic Indo-Fusion band based in the international township of Auroville, India

http://www.holgerjetter.com/ - Website of Jazz violinist Holger Jetter, based in Auroville, India

www.myspace.com/urbanreflektions - Myspace for Urban Reflektions, jazz fusion group, lead by drummer and compser Debashish "debu" Banerji

Thursday, June 28, 2007

Peter Magadini - Polyrhythms, The Musicians Guide

Ive just got hold of this book and it looks like a great method for studying Polyrhythms. Beginning with 6 against 4 (3 against 2) Magadini demonstrates how the basic pattern is put together both with written examples and a accompanying CD. He then develops this further with exercises that subdivide the top ratio, in this case the 6, into eighths, triplets and sixteenths. By the end of the chapter there are solos and other exercises that allow you to be comfortable with alternating between the different subdivisions. Once this has been completed one follows the same principle with 3 against 4 and 5 against 4. I have only just scratched the surface of this book, but so far it looks like a very good and complete method to studying these rhythms. My only complaint as someone who has difficulty in this area, is that while the method is very easy to understand, implementing it is not! I would have preferred a more gradual approach and a few more intermediate level exercises in the first few chapters, as the book quickly advances to some very challenging exercises. Furthermore the CD for my ear also has examples that are quite difficult to hear without slowing them down. In the end I resorted to programming the rhythms myself in a sequencer in order to really hear them well. Nevertheless, this is a wonderful book, and a must have if you want to improve in this area. You will need plenty of patience and discipline though!

Tuesday, May 29, 2007

Smooth Jazz Chennai

For a NDTV news clip of the smooth Jazz Christmas show in Chennai click below. Thanks Shyam! It was a great gig.

http://www.youtube.com/watch?v=Fjw5YO182aE

Sunday, April 29, 2007

Invitation - Yes, it's finally done!

Ok, it took a while but it's ready. The new album features Matt Littlewood - Tenor sax and piano. Mishko M'Ba - Bass. Suresh Bascara - Drums and Holger Jetter - Guitar
You can contact me for a copy at saxindia@yahoo.co.in
Cover design by Leonard, Auroville

Monday, April 23, 2007

More polyrhythms

The "Methode de Batterie" series of books by Dante Agostini are well known by drummers as a comprehensive method for the kit. Check out volume IV for a number pages of polyrhythms that can also be used by other musicians. There are two part exercises that can be played between the hands. They start progressively with 16th and 8th notes, and then explore 2 against 3, and 3 against 4. Although I have not reached the end yet, I have found this a very systematic and practical method, which followed step by step helps to learn these rhythms thoroughly.

http://www.danteagostini.com/methodes/volumes.html

Thursday, April 19, 2007

Why did I wait so long? - Developing your own Personal Sound

Don't wait as long a I did to read this book! I was aware for a long time of this great book by Dave Liebeman, but never got around to getting a copy. It's a gold mine of very valuable, not to mention absolutely vital information regarding tone production on the saxophone. It is well explained, includes diagrams, and has chapters on breathing, embouchure, articulation, mouthpieces, reeds and much more.

A preview from the publisher can be found here:




There is also a review on Dave Liebman's site here:






Tuesday, April 17, 2007

James Carter

I saw this hilarious article on Kelly Bucheger's Jazz pages. Its Kelly's account of the time when James Carter, sixteen and already an amazing tenor player joined the same big band him. This is really a great story and very funny too.

http://www-cs.canisius.edu/~bucheger/JamesCarterRuinedMyLife.html

Wednesday, April 11, 2007

Sax Embouchure

Ive been working on some changes with my sax embouchure recently, and while doing some research on the net, came across this thread on saxontheweb with pictures of famous players and their embouchures.

http://forum.saxontheweb.net/showthread.php?t=52352

There are many other articles on this subject, but this one by Pete Thomas was one the most useful I found.

http://www.petethomas.co.uk/saxophone-embouchure.html

Free Stuff!

This link regarding free downloadable books was posted recently by charlie on rec.music.makers.guitar.jazz. There are mainly guitar books here, but it looks like there are interesting articles on jazz usable for other intruments.

http://www.angelfire.com/fl4/moneychords/freebies.html